In his operas, Giuseppe Verdi had a knack for empowering marginalized people — like the title character of <em>Aida,</em> who is an enslaved Ethiopian princess (played in this 2011 French production by American soprano Indra Thomas).
Two hundred years ago this week, Giuseppe Verdi was born in an Italian town midway between Bologna and Milan. On the occasion of his bicentennial, All Things Considered wanted to know what makes the great opera composer so enduring — why his work is still so frequently discussed and performed these two centuries later. The answer, says conductor and arranger John Mauceri, is that Verdi had a knack for making thorny topics accessible.
Originally published on Wed October 9, 2013 10:37 am
There's a moment in this rousing tune by the Brooklyn-based band Rubblebucket I think we can all connect with: singer Kalmia Traver screams "15 missed calls / can you blame me? / Charlie tell me, do you love me?" It's that exasperation, that moment in a relationship when one person finds themselves caring a whole lot more than the other, that makes this a fabulous pop song. I also love how much life this lyric video has; the color and style feel fresh and so perfect for the blasting horns and funk of the music.
The Black Lillies' members make their second appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. The group formed in East Tennessee in the late 2000s as a collaboration between members of other up-and-coming roots bands: songwriter Cruz Contreras' CCstringband and the everybodyfields.
It's been a dreary, rainy week in D.C. On this episode of All Songs Considered, hosts Bob Boilen and Robin Hilton are a little stir crazy after being stuck inside during the storms. But, with thunder rolling in the background, Robin kicks things off with an ethereal cut from the Berlin-based trip-hop artist Perera Elsewhere that perfectly captures the mood.
Originally published on Wed October 9, 2013 8:53 am
When you operate within the pop world — that is, the world in which whatever you make becomes a cultural commodity (i.e. you record a song, it gets played on the radio and various hands exchange money) — you have to engage with the process of generating hype. It's a given, no matter how carefully made your work or how pure your intentions. Some people are in the thick of hype, but let's put thoughts of today's provocateurs aside for a moment. Instead, it's interesting to think about how artists who've had the machine spin around them a few times choose to play the game, or change it.
Originally published on Thu October 10, 2013 10:50 am
Pearl Jam is set to release its 10th studio album, Lightning Bolt, on Oct. 15, making it the band's first record since 2009's Backspacer. The group members aren't doing much publicity for the album — but when they do, they make it count.
On Tuesday's edition of World Cafe, listeners can hear director and producer Judd Apatow (Anchorman, The 40-Year-Old Virgin, Knocked Up) talk with the premier American rock band in a wide-ranging interview.