Originally published on Wed March 26, 2014 10:39 am
Thou has never been about convention. The Baton Rouge metal band has little in common with its NOLA sludge peers, bucking Southern tropes for a world-heavy consciousness that comes from doom, punk, grunge, black metal, blues and drone.
Originally published on Wed March 26, 2014 10:41 am
A couple weeks ago a writer friend texted me a screengrab of an Instagram of a stocky guy in a tight black T-shirt tucked into pleated black slacks. The pants were held at his actual waist by a black leather belt with a gold buckle. After the photo the friend texted simply "NORMCORE?" The man in black was Samuel Herring, lead singer of Future Islands, and he was already meme-ing his way into the hearts of thousands on Tumblr because of a certain dance move.
Originally published on Wed March 26, 2014 10:40 am
This is a recording of a jazz trio playing the score to a 101-year-old ballet. It is not a "jazzing the classics" record or a "fantasia on the themes of" sort of project. It is a band translating one of the landmark works in music history to piano, bass and drum set, and doing it as literally as possible.
For a jazz trumpet player, you couldn't be more on top of the world than Ambrose Akinmusire. The 32-year-old is looking good on the cover of this month's DownBeat, and he's managed to please the jazz critics and connect with audiences.
London band Yuck's buzzworthy 2011 tour included a stop at SXSW, where they played the NPR Music showcase and marked the release of their debut album. They returned with their second album, Glow & Behold, in October. In the interim, former lead singer Daniel Blumberg left the band, opening the door for guitarist Max Bloom to take over the role — something he says was natural to do.
Originally published on Sun March 16, 2014 1:12 pm
Get ready for St. Patrick's Day with these 25 lucky love songs from NPR R&B. And if you want to stay up all night, check out hundreds of more soul, funk, disco and slow jams on our NPR Music Radio channel, I'll Take You There.
Saturday at SXSW, things go over the edge. Language fails. The mind shimmies free from its moorings. Maybe it's the fatigue. Maybe it's the crowds. You could argue that the constant waves of sound that rattle eardrums over five days in Austin jars something loose inside a person's brain.
Hisham Aidi's new book is a sort of musical tour around the world. It's called Rebel Music: Race, Empire, and the New Muslim Youth Culture. From hip-hop in Brazilian favelas, to Pakistani punk rock, to Gnawa-reggae in North Africa, it's a look at young urban Muslims and the music they make and listen to.
Speaking with NPR's Rachel Martin, Aidi recalls meeting a French band called 3ème Oeil — "Third Eye" — at a music festival in the Bronx, the birthplace of hip-hop.
Let's say you're driving down the Pacific Coast Highway in California — top down, of course. What's the soundtrack you want to hear? The music of Tycho often seems engineered to fill that very role.
The group is the brainchild of producer Scott Hansen, who describes his three-piece band as an audio-visual project. On the new album Awake, the San Francisco-based artist has taken his passion for design and merged it with his interest in ambient music; click the audio link to hear his conversation with NPR's Rachel Martin.