Even though he has the face and build of a leonine Celtic warrior, there's also something gentle and mouselike about Liam Neeson. That's what makes him such an unlikely and invigorating action hero, and it's part of what made the 2008 thriller Taken so disreputably pleasurable: Somehow, watching this sad, sweet galoot zap Albanian bad apples with a jillion volts of electricity just felt so right.
Drug abuse is primarily a medical problem, not a crime against society. American anti-drug policy is a means of social control that's rooted in racial and ethnic prejudice. The country's incarceration industry has become a self-sustaining force, predicated on economics rather than justice.
The Swiss canton of Vallais isn't exactly South Central, but it does have a crime problem: His name is Simon, and he seems to have found the perfect racket. Sister's 12-year-old protagonist (Kacey Mottet Klein) steals skis, gear and clothing at an upscale mountain resort that's just a short tram ride above his bleak flatland apartment.
Not only is the ski lodge convenient, but it's frequented by people who are too rich to sweat the loss of their stuff. ("They'll just buy a new one," Simon explains to one of the townies who buy his purloined goods.)
Originally published on Thu October 4, 2012 6:22 pm
Dang if Home for the Holidays season hasn't rolled around again — that jolly time of year when screenwriters dust off childhood memories of mildly distressed families and distress them further for our sentimental education. Yet if it seems a little early-autumn yet for that sort of thing, please welcome a surprisingly superior specimen of the genre, courtesy of the best indie ensemble money can buy.
Every filmmaker has the right, of course, to remake his own film. And what filmmaker wouldn't relish the chance to redo something he felt he didn't get quite right the first time around, either for lack of funds or for lack of support from a studio?
The words "florid" and "inert" are not quite antonyms, but it would nonetheless seem impossible for those two adjectives to apply to the same thing. And yet here comes The Paperboy, a swamp noir so spectacularly incompetent that even the ripest pulp attractions are left to rot in the sun, flies buzzing lazily around them.
Stephen Colbert has no idea how other news pundits find time to write books. But he felt certain that his character on his Comedy Central show, The Colbert Report, needed to have another one.
"My character is based on news punditry, the masters of opinion in cable news, and they all have books," he tells Fresh Air's Terry Gross. "We don't have time to write a book and feed and wash ourselves, so something has to go out the window. And [for me] it was family, friends and hygiene for the past year."
Ay-yi-yi, what is it with these Dominican men? Their hands — and eyes — never stop roving, even as they're slipping engagement rings on their true loves' fingers.
If that sounds like negative stereotyping, don't complain to me: I'm just passing along the collective cultural verdict of the women and men, most of them themselves Dominican, who hustle through Junot Diaz's latest short story collection, This Is How You Lose Her. A good man is hard to find in these stories, and when you do find him, he's always in bed with someone else.