With the third season of the sumptuously upholstered period drama Downton Abbey coming to PBS Masterpiece Classic on Jan. 6, Morning Edition's David Greene sat down with a half-dozen members of the cast to talk about what's in store.
Comedian Jimmie Walker is best known for his Good Times sitcom character J.J. Evans. But there's more to Walker than just laughs. For Tell Me More's Wisdom Watch series, host Michel Martin talks with Walker about his long career in showbiz, detailed in his memoir, Dyn-O-Mite: Good Times, Bad Times, Our Times.
Quentin Tarantino's film Django Unchained is a spaghetti western-inspired revenge film set in the antebellum South; it's about a former slave who teams up with a bounty hunter to target the plantation owner who owns his wife.
The cinematic violence that has come to characterize Tarantino's work as a screenwriter and director — from Reservoir Dogs at the start of his career in 1992 to 2009's Inglourious Basterds -- is front and center again in Django. And he's making no apologies.
After our recent live show, we hung around and took a few questions about the show, our own tastes, what it's like to work in a room where concerts happen, and more.
Glen will explore the question of voice similarity between himself and Trey, Trey and I will speak about our impressions of one of the year's big epics, and Glen will hear a public plea for a repeat of a popular series of tweets. And once again, we prove that we are probably the only podcast you listen to where "German art song" is a running joke.
The pop culture gay flavor of the minute? White gay dads.
"We're having a baby, Bri!" croons one of the leads on NBC's The New Normal. "This is our family. You, me and that kid forever."
It's a mini-boomlet, says real-life white gay dad and sociology professor Joshua Gamson. Not too long ago, he says, pop culture mainly defined gay men as promiscuous and deviant, rather than monogamous and devoted to their families.
"It does seem like a strong counter-stereotype of how gay men have been portrayed over the past, whatever, 50 years," he says.
Originally published on Wed January 2, 2013 2:32 pm
Growing up in the South, I always felt out of place because we never went hunting. Most of my friends went. All of my extended family went. But in my family, my father was more of a fisherman than a hunter.
I was in the fifth grade when one of my dad's co-workers showed up at our house with a venison roast. I pounced at the opportunity to freak my sister out by eating Bambi. As I recall, my mother made a delicious pot roast in the slow cooker and served it with rice and gravy. I had seconds, maybe thirds, while my sister cried and ate a peanut butter and jelly sandwich.
Originally published on Wed January 2, 2013 12:13 pm
The fight for mapping supremacy between two tech giants blew up this fall when Apple, in revising its mobile operating system, dumped the Google Maps app overboard. To Google's delight, no doubt, Apple's own maps app wobbled badly out of the gate, and amid a consumer outcry, a public apology and quiet firings, all of us caught a glimpse of just how high the stakes are in today's mapping game.
In the aftermath of the Compromise of 1850, a controversial bill that included the Fugitive Slave Act, the journey to freedom became increasingly difficult for enslaved people. In Tracy Chevalier's newest novel, Ohio and its intricate network of Underground Railroad activity provides a rich background for this period.
Welcome to a future when time travel has been outlawed, meaning only outlaws like Joe, played by Joseph Gordon-Levitt, travel through time. Joe's an assassin for a crime syndicate that sends folks it wants erased back from 30 years hence.
Gordon-Levitt's been made up to look like a young Bruce Willis, and when Willis shows up as one of the folks he's supposed to kill — well, that's called closing the loop — and there you have director Rian Johnson's nifty premise.