Director Anthony Baxter (left) with Michael Forbes, whose property borders Donald Trump's contentious luxury golf resort. The fight over the resort is the focus of Baxter's documentary <em>You've Been Trumped</em>.
Credit International Film Circuit
Graffiti on a shed captures the opposition to Donald Trump's planned golf course on the Aberdeenshire coastline in Scotland.
Originally published on Thu August 2, 2012 7:53 pm
In the red corner, a leering Donald Trump, brandishing plans to build a luxury golf resort on one of Britain's last remaining wilderness areas. In the blue, a small group of dignified local homeowners trying to stop him. The setup is a documentary filmmaker's dream, and Anthony Baxter's You've Been Trumped fully exploits the conflict's inherent gifts — including Mr. Trump's incautious mouth — with the kind of gleeful umbrage popularized by Michael Moore and eaten up by audiences.
Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Credit Michael Gibson / Columbia Pictures
Lori (Kate Beckinsale) and Vilos (Bryan Cranston) are two enemies that come to light after Quaid visits Rekall.
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Michael (Jude Law) and Rose (Rachel Weisz) are two of the many characters in <em>360</em>, a film about interconnected European lives from the director of <em>City of God</em> and <em>The Constant Gardener</em>.
Credit Phil Fisk / Magnolia Pictures
In another of the film's stories, Anthony Hopkins plays a man en route to Phoenix in search of his missing daughter.
For all the glum punditry about our brave new world of connected disconnection, there are endless possibilities for free play — though you'd never know it from the sorry crew of malcontents in 360, an ambitious post-millennial take on Arthur Schnitzler's La Ronde.
Writer Caitlin Moran believes most women who don't want to be called feminists don't really understand what feminism is. In her book How to Be a Woman, Moran poses these questions to women who are hesitant to identify as feminists:
What part of liberation for women is not for you? Is it the freedom to vote? The right not to be owned by the man that you marry? The campaign for equal pay? Vogue by Madonna? Jeans? Did all that stuff just get on your nerves?
Mid-20th-century mystery master Ross MacDonald is credited with moving hard-boiled crime off the mean streets of American cities and smack into the suburbs. In MacDonald's mythical California town of Santa Teresa, modeled on Santa Barbara, evil noses its way into gated communities, schools and shopping centers that have been built expressly to escape the dirt and danger of the city.
South African playwright, actor and director Athol Fugard describes the time Nelson Mandela was released from prison in 1990 as "a period of euphoria that was the most extraordinary experience of my life."
He says he was also convinced he would be the country's "first literary redundancy."
"My life had been defined by the apartheid years," he tells Michel Martin, host of NPR's Tell Me More. "Now we were going into an era of democracy ... and I believed that I didn't really have a function as a useful artist in that anymore."
If only Nixon could go to China, only indie-comics master Jaime Hernandez could produce God and Science: Return of the Ti-Girls, the brightest, purest, most quintessentially superheroic superhero yarn in years.
Maybe you've winced at the decline of the past participle. Or folks writing and saying "he had sank" and "she would have went." Perhaps it was the singer Gotye going on about "Somebody That I Used to Know" instead of "Somebody Whom I Used to Know." Or any of a number of other tramplings of traditional grammar — rules that have been force-fed to American schoolchildren for decades — in popular parlance and prose.
In the 1970s, minimalist artist Donald Judd moved to Marfa, Texas, where he created giant works of art that bask beneath vast desert skies. In the years since, Marfa has emerged as a hot spot for art tourism.
Credit Art (c) Judd Foundation / Licensed by VAGA, New York, NY
This summer, NPR's <em>Destination Art</em> series is going off the beaten path to visit small to midsize North American cities that have cultivated lively arts scenes. And we want to hear from you! Where's your favorite art hot spot? What makes it unique? <a href="http://www.npr.org/templates/story/story.php?storyId=156306412"><strong>Tell us about it.</strong></a>
Credit Brian Santa Maria / iStockphoto.com
<em>Prada, Marfa</em> is a faux boutique displaying luxury bags and shoes in the middle of the sparse Texas landscape. It was created in 2005 by artist duo Michael Elmgreen and Ingar Dragset.
Credit Matt Slocum / AP
Though the locals have mixed feelings about being an art mecca, Kaki Aufdengarten-Scott, Marfa's one-woman chamber of commerce, says without art tourism, "this town would have dried up and blown away."
Credit Citoyen du Monde Inc / Flickr
The Marfa Book Co. is run by poet Tim Johnson, who doesn't think Judd would approve of Marfa's emergence as a chic art world destination.
Credit ydhsu / Flickr
"You just come out here and you feel like, I want to make something; I want to do something!" explains sculptor Campbell Bosworth. Above, a creative car, spotted on the street in Marfa.
This tiny town perched on the high plains of the Chihuahua desert is nothing less than an arts world station of the cross, like Art Basel in Miami, or Documenta in Germany. It's a blue-chip arts destination for the sort of glamorous scenesters who visit Amsterdam for the Rijksmuseum and the drugs.
"They speak about Marfa with the same kind of reverent tones generally reserved for the pilgrimage of the Virgin of Lourdes," notes Carolina Miranda, a writer who covers the art world.