Originally published on Thu February 14, 2013 2:13 pm
Calling Beautiful Creatures a Southern-fried Twilight wouldn't be an unfair claim, at least based on its marketing campaign — which highlights that, yes, this movie centers on a teen romance between a couple of star-crossed kids, one of whom, yes, is all kinds of supernatural. And, yes, their love puts the fate of the world in danger, because, well, why not?
As the civil rights movement gained momentum in the 1960s, Ku Klux Klan activity boomed. That fact itself may not be surprising, but in the introduction to his new book, Klansville, U.S.A., David Cunningham also reveals that, "While deadly KKK violence in Mississippi, Alabama and Georgia ha[d] garnered the lion's share of Klan publicity, the United Klan's stronghold was, in fact, North Carolina." North Carolina, Cunningham writes, had more Klan members than the rest of the South combined.
In a dark, dusty vault beneath a studio back lot, are there stacks and stacks of unproduced Cold War-era screenplays? A pile of untapped bad movie potential, like a hidden stockpile of enriched uranium, just waiting for a film crew that's looking to make a quick buck with a dirty bomb of a movie?
A Good Day to Die Hard, the fifth entry in the annals of hard-to-kill New York cop John McClane (Bruce Willis), is not that explosively bad movie. It's the decaying radioactive wreckage left behind after that bomb goes off.
Whitney Young spent most of his in the civil rights movement, but he focused on changing business as much as changing law. As head of the National Urban League, he had the ear of some of the nation's most powerful leaders. Host Michel Martin speaks with Young's niece, filmmaker Bonnie Boswell, who chronicles her uncle's story in the documentary, "The Power Broker."
Host Kenn Michael speaks with Douglas Ovens, Muhlenberg College, Music Department Chair about the Love Songs and Other Wonders concert celebrating his 60th Birthday and his composed works on Wednesday, February 20, 2013 at 8pm in the Empie Theatre of the Baker Center for the Arts on the Muhlenberg College campus. The concert is free and open to the public.
By the time Wendy Plump learned from a friend that her husband had a longtime mistress and an 8-month-old son living just a mile away, their union was already pockmarked with the scars of adultery — both his and hers. She divulges all this and more in Vow, her at times jaw-droppingly frank but ultimately instructive post-mortem on their 18-year marriage.