If you do the math, the number of true psychopaths in Seven Psychopaths may not quite add up. Perhaps writer-director Martin McDonagh didn't want to go overboard with the murderous crazies. As it is, he's peopled his whimsically brutal comic thriller with — to name just three — an Amish throat-slasher, a dynamite-packing Buddhist and a serial killer who's fond of white bunny rabbits. That's probably enough.
<em>Simon and the Oaks</em> serves as a rather too cozy consideration of Nazi sympathies in Sweden during the early years of World War II.
Credit The Film Arcade
<em>War of the Buttons,</em> set in occupied France, focuses more on the war between gangs of children than it does on the real conflict playing out among their parents, some of whom are Vichy collaborators.
Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.
Originally published on Thu October 25, 2012 10:52 am
Some might characterize what filmmaker Ross McElwee does as navel-gazing. But in the hands of this veteran documentarian, that which might be self-indulgent egomania from a lesser artist is often the stuff of quiet revelation.
Charles Duhigg is currently working on a series about Apple called "The iEconomy" for <em>The New York Times</em>. His book about the science of habit formation, <a href="http://www.npr.org/books/titles/147192615/the-power-of-habit-why-we-do-what-we-do-in-life-and-business">The Power of Habit: Why We Do What We Do in Life and Business</a>, was published in February.
Credit Elizabeth Alter / Random House
In August, Apple was awarded more than $1 billion in a court victory over Samsung in an epic patent battle between the two biggest smartphone makers.
If you don't think of patents as a particularly exciting or interesting field, consider a point Charles Duhigg makes in his recent New York Times article, "The Patent, Used as a Sword": According to an analysis done at Stanford: "In the smartphone industry alone ... as much as $20 billion was spent on patent litigation and patent purchases in the last two years — an amount equal to eight Mars rover missions."
Mars Attacks: 50th Anniversary Collection, an anthology of the 1962 trading card series from the Topps Company and Abrams Comic Arts, comes packaged in a jacket made from the same wax paper as '60s bubble gum wrap. The packaging establishes an air of honeyed nostalgia that the cards themselves are mercifully quick to demolish. The 55 violent images of interplanetary slaughter in the "Mars Attacks" series were controversial in their day, but have atrophied in the popular consciousness as kitsch relics of the Kennedy era.
A.M. Homes is a writer I'll pretty much follow anywhere because she's indeed so smart, it's scary; yet she's not without heart. It's been a while since her last book, the 2007 memoir The Mistress's Daughter, which is certainly the sharpest and most emotionally complex account of growing up adopted that I've ever read.
Dr. Victoria Sweet began working at an almshouse more than 20 years ago. She found that the missing component of today's health care system is time — for doctors to care for patients, and for patients to heal. Host Michel Martin speaks with the doctor about her memoir, God's Hotel: A Doctor, A Hospital, And A Pilgrimage To The Heart Of Medicine.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, we'll hear from a doctor who's worked with the poorest of the poor in San Francisco, opened up insights into health care for everybody. We'll hear from the author of "God's Hotel" in a few minutes.
Chinese writer Mo Yan is the winner of the 2012 Nobel Prize in literature. Mo Yan is a pen name that means "don't speak" — a name he adopted because his parents, who raised him during the Cultural Revolution, warned him to hold his tongue.
Originally published on Thu October 11, 2012 11:42 am
Chinese writer Mo Yan won the Nobel Prize in literature on Thursday. The Swedish Academy, which selects the winners of the award, praised Mo's "hallucinatory realism," saying it "merges folk tales, history and the contemporary." The award is a cause of pride for a government that disowned the only previous Chinese winner of the award, an exiled critic.
Peter Englund, the academy's permanent secretary, said the academy contacted Mo, 57, before the announcement. "He said he was overjoyed and scared," Englund said.