Since earning a cult following for his acclaimed television show Freaks and Geeks, writer, producer, and director Judd Apatow has become a brand name. He has a new movie out this month — This Is 40 — and also guest-edits the January "Comedy Issue" of Vanity Fair.
He's an executive producer for the HBO show Girls and previously wrote, produced and directed the 2005 comedy The 40-Year-Old Virgin.
Originally published on Thu December 6, 2012 12:04 pm
Long dismissed as genre fiction, the historical novel has now established itself in the literary mainstream, thanks in part to heavyweight authors like two-time Booker Prize winner Hilary Mantel. For me, more than any other medium, historical fiction brings the past to life and makes it matter.
The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.
The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.
[This piece contains information about the plots of lots of contemporary TV dramas, probably most notably a context-free discussion of an incident during the most recent season of Breaking Bad, as well as general comments on the plot of the film The Grey.]