William H. Gass is a glutton of language. Like a chef who can't cook without nibbling, he lards his own writing with similes and metaphors in the spirit of the books he loves, savoring them through imitation. In his essays on literature, this gusto is contagious. You want to taste his taste, to read what he has read. Gass' exuberant, bursting sentences convey the pleasure of reading and thinking better than just about any written since the New Critics took over criticism in the 1950s.
Originally published on Thu March 14, 2013 9:57 am
As we prepare to celebrate Pi(e) Day on Thursday (Congress established March 14 as a day to honor both the mathematical constant, 3.14, and our nation's favorite dessert), we find a burgeoning pie scene in Chicago. And it's not of the deep-dish variety.
Hosts George Miller and Kate Scuffle chat with Jill Dunn, artistic director at Pennsylvania Youth Theatre, and Alex Zolgelsand and Sophie Kitch-Peck, actors from "The Hobbit", now showing at the Ice House in Bethlehem. Also joining our hosts, will be artistic director Josh Neth and actor Samantha Beedle of Allentown Public Theatre, talking about their newest production "Parallel Lives."
Poetry and social media join forces once again in April. Tell Me More celebrates National Poetry Month with its 3rd annual Muses and Metaphor series. We'll feature poems exchanged via Twitter by NPR fans — always in 140 characters or fewer. Tweet your poem using the hashtag: #TMMPoetry.
Sheryl Sandberg tells an anecdote in her new book, Lean In, about sitting down with her boss, Mark Zuckerberg, for her first performance review as chief operating officer at Facebook. Zuckerberg told her that her "desire to be liked by everybody would hold [her] back." I hope she's worked on that problem because over the past few weeks, there sure have been a lot of people hating on Sheryl Sandberg.
It's the handwriting that stands out to Cedrick May.
As an associate professor of English at the University of Texas, Arlington, he assigned his doctoral students to find some of the known works by Jupiter Hammon, the first published African-American poet. Hammon's works date back to 1760.
What one student ended up finding was a previously unpublished piece by the poet that shows how deeply he thought about slavery and religion.
Ben Katchor's syndicated comic strips vary in subject — his Julius Knipl: Real Estate Photographer, for example, explores the surreal underside of our urban environment by documenting the inner lives of the spaces and storefronts we walk past every day, while The Cardboard Valise reads like a Fodor's guide to a country that exists only in Franz Kafka's dream journal.