It's like this: Makeda is trying to make a clean break from her old life by getting a super's gig in a bohemian Toronto warehouse of artsy up-and-comers. And it won't be easy — she's still riddled with guilt and uncertainty, after having struggled for years to care for her bedridden father and to get out from under the shadow of her twin sister, Abby, who's kind of a diva and has a lot of pull in the family.
Elizabeth Strout's newest book begins with crime. Zach, the youngest member of the Burgess family, throws a severed pig's head through the front door of a mosque in his quiet, rural Maine town. The mosque is run by a recently arrived community of Somali immigrants, who have already faced some hostility from the town. Everyone is shocked, but no one more so than Zach himself.
Poet Dunya Mikhail fled her homeland, Iraq, a few years after the first Gulf War. She had been questioned by Saddam Hussein's government, and state media had labeled her writing and poetry subversive. Mikhail escaped to Jordan and eventually reached the United States, where she made a home for herself — marrying, raising a daughter and becoming a U.S. citizen.
Mikhail never physically returned to Iraq. But she revisits her homeland again and again in her poetry — line by line, stanza by stanza.
George Butler lives between two worlds. One is his apartment in London, and the other consists of conflict-ravaged places like West Africa, Afghanistan, Azerbaijan and Syria.
The British illustrator recently returned from his second trip to Syria, and his reportage illustrations are a powerful account of life in the country's north, where the fighting is heavy and rebels now control many areas.
The illustrations are not just about the sorrows and pain of Syrian refugees and the wounded, but often about Syrians' stubborn insistence that life will carry on despite the pain.
Host Kenn Michael speaks with Curator, Dr. Margo Thompson of the Martin Art Gallery at the Baker Center for the Arts, Muhlenberg College about Lisa A. Turngren's exhibition of Patterned Lineage: Facing, Backing and the Space Between showing through April 13, 2013.
"I know of young women who have been returned to their families by their husbands because, as you say, they did not bleed on defloweration," Shereen El Feki tells Fresh Air's Terry Gross.
El Feki, the author of the new book Sex and the Citadel: Intimate Life in a Changing Arab World, spent five years traveling across the Arab region asking people about sex: what they do, what they don't, what they think and why.
You can find our next guest on most Monday nights at the Laugh Factory in Los Angeles, where he is part of Comedy Bazaar and he offers his signature riffs on his particularly interesting cross-cultural dilemmas.
TEHRAN VON GHASRI: My name is Tehran. It's like the capital city of Iran. You're, like, wondering, what were my parents thinking, naming me Tehran, right? But I'm half black, half Iranian, which comes with a lot of advantages. I have a lot of fun at the airport. It's true. Homeland Security knows me on a first name basis.
A lot of photographers are revisiting 2003 this week — the year the U.S. invaded Iraq — and sharing photos from the years of war that followed. Even more literally, Associated Press photographer Maya Alleruzzo revisited various sites photographed during the war to see what has changed and what hasn't.
One scene speaks volumes: Today, shoppers pass through a busy shopping district in Baghdad. But in the 2008 photo, taken by Hadi Mizban for AP, the sidewalk is covered in fresh stains from a bombing that killed 22 people.
Originally published on Wed March 20, 2013 12:37 pm
When you read the words of Clotaire Rapaille, a "French-born psychiatrist-turned-marketer" quoted in yesterday's interesting Slate article about the marketing of cars to women, it's hard not to read them in a voice that's sultry and French and not entirely serious, as if he's some kind of sales expert crossed with Pepe Le Pew (despite the fact that this doubtless has no basis in reality).