There's a sequence early in the laughable drama The Playroom that epitomizes everything wrong with it: With her parents out of the house, 16-year-old Maggie Cantwell (Olivia Harris), the eldest of four latchkey kids, sneaks into the garage with her boyfriend on a determined quest to lose her virginity. While the two fumble around clumsily on the floor, Maggie's youngest brother, Sam (Ian Veteto), sits outside the garage door, trying to sew a merit badge onto his shirt but struggling to thread the needle.
Originally published on Thu February 7, 2013 8:14 pm
In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.
"Don't believe everything you see," the older man warns.
It took years for our fictions to consider the Holocaust narrative. And for an even longer time, a stunned silence hovered over the fate of "Hitler's children" — ordinary Germans during and after World War II. That embargo, too, is lifting, with a significant trickle of novels, movies and television dramas that imagine what it felt like to be the inheritors of the worst that humans can do to other humans.
It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?
The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.
The new road-trip comedy Identity Thief — about a guy who confronts a woman who's wrecking his credit rating — is such a catalog of missed opportunities, it probably makes sense just to list them.
The setup: Sandy Patterson, who works in a Denver financial firm (and is not supposed to be mentally challenged), blithely hands over his Social Security number to a stranger on the phone who says his accounts have been compromised, at which point his accounts get compromised. No tricks, no subterfuge, no laughs — he's just stupid.
Thursday marks the beginning of New York Fashion Week, where big-name designers like Michael Kors, Anna Sui and Vera Wang will debut their Fall 2013 collections. It's part of an industry that generates billions of dollars of revenue for New York City, employing hundreds of thousands of workers. But the real business of fashion happens several blocks south of the glamorous Lincoln Center runways,in New York's Garment District.
The new FX show The Americans follows the Jennings family — a typical American family in Ronald Reagan's America, who happen to be Soviet spies. With Elizabeth (Keri Russell) and Phillip Jennings (Matthew Rhys) at the center of the show, viewers will find themselves rooting for the couple that's secretly working for the KGB and against anyone who might blow their cover.
Washington Post TV critic Hank Stuever notes that this is just the latest in a slew of TV shows that focus on deeply flawed leads.
Now, we want to turn to the challenge of bringing diversity to the newsroom. You've probably noticed that all kinds of issues and stories relating to sexual orientation have been in the news recently - from same-sex marriage to the Pentagon's plan to offer benefits to same-sex partners to the debate over what role gays can play in the Boy Scouts.
Bradley Cooper, who is nominated for an Academy Award for his performance as the bipolar Pat Solitano in Silver Linings Playbook, tells Fresh Air's Terry Gross that he and director David O. Russell approached the role with the idea that Cooper would "play as real and authentic as [h]e could."
The role is informed by Russell's son, who has been diagnosed with bipolar disorder. Says Cooper: "I definitely felt that anchor for [Russell]."