If anyone could pull off a multiplex-friendly adaptation of F. Scott Fitzgerald's The Great Gatsby — a filmtreatment that might be capable of stepping out of the long shadow cast by the book — it's Baz Luhrmann, right? The Australian director who dragged Shakespeare's star-crossed lovers into the music-video-shaken, bullet-ridden '90s with Romeo + Juliet and compressed a century's worth of pop music and melodrama into the glorious Moulin Rouge?
Journalists make choices all the time that influence our understanding of the news — the choice of what stories to cover, which people to interview, which words to use. And major news organizations have been reconsidering how best to describe a group of people whose very presence in this country breaks immigration law.
What's left to know about Venus and Serena Williams? Probably not much that the tennis titans would be willing to share, given how heavily exposed they've been already, and how eager the press has been to wedge the sisters into ready-made narratives about race, celebrity and the daughters of a Svengali.
In 1961, Mel Brooks and Carl Reiner came up with some basic theories of caveman linguistics in their 2,000-Year-Old Man skit. Most of them had to do with rocks, as in, "What are you doing with that rock there?"
Now, a professor in England has questioned the validity of the famous caveman's rock-centric theories. And Mark Pagel of the University of Reading is reaching even further back, to the time of the 15,000-year-old man.
Here's a movie pitch: A celebrated millionaire, known for public extravagance, lives right on the water in a fabulous mansion. He's smooth but reckless, drives like a maniac, has a powerful enemy and — despite a rep as a playboy — has only one girlfriend, who barely registers on-screen.
You're the producer, so whaddya think? Does his story require lavish digital effects, swooping cameras, a rap soundtrack and the full-on 3-D treatment?
If I tell you his name is Tony Stark, otherwise known as Iron Man, probably yes, right?
"How angry am I? You don't want to know. Nobody wants to know." Those are the opening lines of Claire Messud's new novel, The Woman Upstairs. The novel is about a single woman, Nora, who hasn't fulfilled her dreams of being an artist and having children. Nora's plight is complicated when she befriends a woman who has done both.
Christopher Guest, co-creator with Jim Piddock of the new HBO comedy series Family Tree, obviously is having a good time making this show — and it's contagious. It's several shows in one, and every element is a self-assured little delight.
Ray Harryhausen, who died Tuesday in London at age 92, became fascinated with animation after seeing King Kong in 1933. He went on to create some of the most memorable monsters of old Hollywood, from dinosaurs to mythological creatures.
His monsters, however, were never completely divorced from the real world.
We kick off our road show with a game dedicated to the stereotypical Boston dialect--you know, the one that tells you to "Pahk your cah in Hahvahd Yahd"? Host Ophira Eisenberg has a little punny fun with phrases and names that take on whole new meanings when you drop the "r's" in certain words. And for the record, "Hahd-Cawr Pun" is just Boston-speak for "Hard-Core Pun."
It's been a great time in Boston, but we've reached the Ask Me One More final round. Puzzle guru Art Chung leads the final five contestants in a game comprised of words, phrases and names that begin with the letters B-A-N. For example, the triangular patterned cloth you might wear around your head or neck would be a "bandana," and if it doesn't bear the Red Sox logo, then you're in the wrong town.