Originally published on Fri September 14, 2012 12:55 pm
Anyone looking for a moral high ground — or any high ground at all — in Arbitrage will be sorely disappointed. And that's only one of the reasons that Nicholas Jarecki's family-and-finances drama, handsomely photographed by Yorick Le Saux, is so appealingly adult.
At a time when filmmakers might be under some pressure to punish the 1 Percent, Jarecki (who also wrote the script) chooses instead to remind us that making and keeping scads of cash is rarely accomplished by the fainthearted or the foolish.
I was packing up my recording equipment after interviewing TV executive Susanne Daniels — for a different story — when she said, casually, "Have you ever noticed how there's never been a really great TV show about college?"
I looked at her. Then I started unpacking my equipment again. She had just offered me a story.
Last year, the broadcast networks didn't do well at all when it came to new series development. We got ABC's clever Once Upon a Time, which was about it for the fall crop, until midseason perked things up with NBC's Smash. Otherwise, a year ago, all the exciting new fall series were on cable, thanks to Showtime's brilliant Homeland and FX's audacious American Horror Story.
Hanna Rosin's pop sociology work The End of Men, based on her cover story in The Atlantic magazine, is a frustrating blend of genuine insight and breezy, unconvincing anecdotalism. She begins with a much-discussed statistic: three-quarters of the 7.5 million jobs lost in our current recession were once held by men.
Originally published on Thu September 13, 2012 11:49 am
Great fiction is built around characters that follow the fruitless and wrongheaded paths they're offered, which is how readers savor safe passage into someone else's impetuosity. Yunior, who first appeared in Junot Diaz's debut collection, Drown, is the narrator in several of the stories in the Pulitzer Prize–winning author's third book, This Is How You Lose Her. Yunior is now middle-aged, middle-class, a self-described sucio struggling to mature into adulthood and not succeeding particularly well.
Rick Grimes (Andrew Lincoln) returns in October to fight more zombies in the hit AMC series The Walking Dead. But about 14 million people won't be able to see the premiere because of an ongoing dispute between AMC and satellite provider DISH Network
Back in March, the Season 2 finale of The Walking Dead, AMC's hit zombie drama, broke ratings records. The show returns on Oct. 14 for its third season. But for about 14 million people, there will be no flesh-eating zombies slowly walking across their TV screens. The show is produced by AMC, and all of AMC's channels have been cut by satellite provider DISH Network. Tiffs between networks and cable providers are common, but this one has gone on for record time.
A Syrian documentary film producer whose disappearance two weeks ago prompted concerns for his safety and a letter of support from the Toronto International Film Festival is now free, according to reports.