Colin Broderick's first book, Orangutan, told the story of the 20 years — at least, as he could remember it — of being drunk, drug addicted and often desperate struggling to make his way as an Irish immigrant to New York.
When actress Geena Davis was watching children's shows with her daughter a few years ago, she became so troubled by the lack of female representation, she started a think tank on gender in the media. The Geena Davis Institute recently partnered with University of Southern California professors to conduct a study analyzing gender roles and jobs on screen.
The good news? Prime-time television's pretty decent at depicting women with careers.
When you think about heavy metal — the costumes, the makeup, the outfits, the huge stage shows filled with effects and pyrotechnics — pretty much all of that was invented, or at least perfected, by Alice Cooper. If it weren't for him, bands like Slayer and Megadeth would be playing love songs in identical suits and bowl haircuts.
It's Cinderella plus Jackie Robinson times two. When Venus and Serena Williams burst onto the lily-white world of tennis, they changed the game and made history: They were sisters. From a poor neighborhood. Who brought unprecedented power to the game. And both reached No. 1.
Their journey is the subject of a new documentary called Venus and Serena, showing in select theaters around the country.
Back in 2009, Katie Shelly was craving an eggplant Parmesan. Small problem: She'd never made it before. But she remembered that a college roommate used to make it, so she called her up and asked for the recipe.
The friend told her she needed to start with three bowls — one for breadcrumbs, one for egg and one for flour, salt and pepper. "In that moment, it was totally natural for me to just draw the three bowls instead of writing all that out in words," says Shelly, whose day job is as a visual designer.
Touchstone's Young Playwrights' Festival is just around the corner, and Mary Wright, Coordinator for Touchstone's Young Playwrights Lab, joins hosts George Miller and Kate Scuffle to talk about this year's new young plays and playwrights. (Original air date: May 13, 2013.)