Emma Miller is a digital arts intern at NPR.org and was also an intern in the summer of 2012 in the digital department of PBS'POV series, where she became familiar with two documentaries whose directors recently received "genius grants" from the MacArthur Foundation. She has these thoughts.
It's official: Sean Connery IS James Bond, according to NPR readers who weighed the question this week. The final results show that Connery set the gold standard as 007, the spy known for his playfulness, his ruthlessness — and his ability to look good in a suit. Today marks the Bond film franchise's 50th anniversary.
A new study from the Kauffman Foundation shows that the number of immigrant entrepreneurs in the United States has fallen slightly. But according to Vivek Wadhwa, an author of the study, the drop is especially steep in Silicon Valley, long a magnet for the brightest and most ambitious minds from around the world.
Iowans Laura (Jennifer Garner, front right) and Bob Pickler (Ty Burrell) fight to remain the first couple of state-fair butter sculpting.
A butter sculpting prodigy (Yara Shahidi, second from left) has a chance to end the Picklers' reign with the help of her friend (Brett Hill) and her foster parents (Rob Corddry and Alicia Silverstone).
Originally published on Thu October 4, 2012 6:20 pm
Unless you've attended a Midwestern state fair — or perhaps a Renaissance-era banquet — you might be unfamiliar with the ephemeral but much beloved art of butter sculpture.
Yes, the creamy dairy spread, when chilled to between 32 and 60 degrees, achieves a consistency ripe for carving, and artisans working with hundreds of pounds of the stuff can fashion almost anything: cows, the Liberty Bell, cows being milked, Mount Rushmore, cows jumping over moons, Yoda, Newt Gingrich on a horse.
Even though he has the face and build of a leonine Celtic warrior, there's also something gentle and mouselike about Liam Neeson. That's what makes him such an unlikely and invigorating action hero, and it's part of what made the 2008 thriller Taken so disreputably pleasurable: Somehow, watching this sad, sweet galoot zap Albanian bad apples with a jillion volts of electricity just felt so right.
Drug abuse is primarily a medical problem, not a crime against society. American anti-drug policy is a means of social control that's rooted in racial and ethnic prejudice. The country's incarceration industry has become a self-sustaining force, predicated on economics rather than justice.
The Swiss canton of Vallais isn't exactly South Central, but it does have a crime problem: His name is Simon, and he seems to have found the perfect racket. Sister's 12-year-old protagonist (Kacey Mottet Klein) steals skis, gear and clothing at an upscale mountain resort that's just a short tram ride above his bleak flatland apartment.
Not only is the ski lodge convenient, but it's frequented by people who are too rich to sweat the loss of their stuff. ("They'll just buy a new one," Simon explains to one of the townies who buy his purloined goods.)
Originally published on Thu October 4, 2012 6:22 pm
Dang if Home for the Holidays season hasn't rolled around again — that jolly time of year when screenwriters dust off childhood memories of mildly distressed families and distress them further for our sentimental education. Yet if it seems a little early-autumn yet for that sort of thing, please welcome a surprisingly superior specimen of the genre, courtesy of the best indie ensemble money can buy.