If you do the math, the number of true psychopaths in Seven Psychopaths may not quite add up. Perhaps writer-director Martin McDonagh didn't want to go overboard with the murderous crazies. As it is, he's peopled his whimsically brutal comic thriller with — to name just three — an Amish throat-slasher, a dynamite-packing Buddhist and a serial killer who's fond of white bunny rabbits. That's probably enough.
Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.
Originally published on Thu October 25, 2012 10:52 am
Some might characterize what filmmaker Ross McElwee does as navel-gazing. But in the hands of this veteran documentarian, that which might be self-indulgent egomania from a lesser artist is often the stuff of quiet revelation.
Beneath a bright blue, near-cloudless sky, a lone aluminum trailer sits amid the sagebrush, the flat amber earth and the forbidding heat of Death Valley. Oddly enough, the trailer's single inhabitant doesn't seem the hermit type: Frank (Charlie Hunnam) is young, well-dressed and extremely handsome, the kind of blond-haired and blue-eyed good-looking that usually comes with easy confidence and a modeling contract.
Ben Affleck's new thriller, Argo, chronicles a secret CIA rescue mission — a mission that remained classified for years. When details finally came to light, the operation sounded like something only Hollywood could come up with. As we find out, there's a reason for that.
It's 1979, and the Iranian public's hatred for their U.S.-backed shah erupts when he leaves the country. A crowd grows around the U.S. Embassy in Tehran — they're climbing the gates and taking dozens of Americans hostage.
If you don't think of patents as a particularly exciting or interesting field, consider a point Charles Duhigg makes in his recent New York Times article, "The Patent, Used as a Sword": According to an analysis done at Stanford: "In the smartphone industry alone ... as much as $20 billion was spent on patent litigation and patent purchases in the last two years — an amount equal to eight Mars rover missions."
Mars Attacks: 50th Anniversary Collection, an anthology of the 1962 trading card series from the Topps Company and Abrams Comic Arts, comes packaged in a jacket made from the same wax paper as '60s bubble gum wrap. The packaging establishes an air of honeyed nostalgia that the cards themselves are mercifully quick to demolish. The 55 violent images of interplanetary slaughter in the "Mars Attacks" series were controversial in their day, but have atrophied in the popular consciousness as kitsch relics of the Kennedy era.
A.M. Homes is a writer I'll pretty much follow anywhere because she's indeed so smart, it's scary; yet she's not without heart. It's been a while since her last book, the 2007 memoir The Mistress's Daughter, which is certainly the sharpest and most emotionally complex account of growing up adopted that I've ever read.
Dr. Victoria Sweet began working at an almshouse more than 20 years ago. She found that the missing component of today's health care system is time — for doctors to care for patients, and for patients to heal. Host Michel Martin speaks with the doctor about her memoir, God's Hotel: A Doctor, A Hospital, And A Pilgrimage To The Heart Of Medicine.