I've read He Died With His Eyes Open twice. I don't know if I could stand to read it again. Like all of Derek Raymond's work, it has a remarkable and disturbing physicality.
This book was the first of what came to be known as the Factory series. Its protagonist is an unnamed detective in London's Metropolitan Police. He will never rise above sergeant and works in the most despised branch of "the Factory": Unexplained Deaths.
We're going to take a moment now to talk about a word - yep, one word. Maybe you use it all the time or maybe you feel people use the word and it drives you up the wall. I'm talking about the word literally.
You could hardly design a better Hollywood success story than that of powerhouse Rita Moreno: Born Rosa Dolores Alverio in Puerto Rico, she arrived in New York when she was 5 years old. Over the years, she became a talented dancer and ended up in Hollywood, making her mark in musicals like Singin' in the Rain and The King and I before winning an Oscar for her unforgettable turn as Anita in West Side Story.
The Silence and the Roar follows a young man living in an unnamed Middle Eastern country that is in chaos. The book doesn't explicitly take place in Syria, but the similarities between its setting and author Nihad Sirees' home country are undeniable.
Sirees' work has been banned from publication in Syria, where he's considered an opponent of the government — another point at which Sirees' story and that of his protagonist, Fathi Chin, intersect.
On-air challenge: Every answer is a word containing an A and a Z. Given anagrams of the remaining letters, name the word. For example, given "leg," the answer would be "glaze".
Last week's challenge: Eight people are seated at a circular table. Each person gets up and sits down again — either in the same chair or in the chair immediately to the left or right of the one they were in. How many different ways can the eight people be re-seated?
Did you leave a message after our prompt? For Round 10 of Three-Minute Fiction, we asked you to submit a short story in the form of a voice mail message. For this contest, the original fiction must be read in about three minutes, no more than 600 words.
After four weeks and more than 4,000 stories, we have a winner.
In the 1940s and '50s, Tadd Dameron worked with everyone who was anyone in jazz, from Miles Davis to Artie Shaw, Count Basie to John Coltrane. Everything Dameron touched had one thing in common, says Paul Combs, author of Dameronia: The Life and Work of Tadd Dameron.
"A penchant for lyricism," Combs says. "Almost everything that he writes has a very lyrical grace to it."