Despite growing up in Virginia, I never tasted grits until I was in college. I remember that first bite vividly, because it left me with the impression that grits were truly disgusting. My freshman roommate would make them with her hot pot, and this vile, gluey goo made me swear they would never pass my lips again.
Fast-forward a couple of years, when I was once again duped into trying instant grits — this time doctored with cheddar cheese and butter. Still horrible. Twice fooled, it's a wonder I ever tried them again.
Elizabeth Strout, author of the Pulitzer Prize-winning book Olive Kitteridge, sets much of her work in Maine, where her family has lived for eight generations. But Strout herself has lived most of her adult life in New York. In her new novel, The Burgess Boys, she writes for the first time about the city she now calls home.
Time now for a home viewing recommendation from our critic Bob Mondello. This week, Bob is intrigued by the 40th anniversary of the film that put Martin Sheen, Sissy Spacek and director Terrence Malick on the map — Badlands.
The plot's based on a notorious duo and a real-life 1950s killing spree, but when boy meets girl on-screen in Badlands, they're adorable. She's 15, twirling a baton; he's older, styles himself after James Dean, and is the handsomest guy she's ever met.
Healing Arts can take several forms. Host Sally Handlon explores both the educational and practical application for art therapy with Professor Rebecca Arnold and artist, Rose Mavis. (Original broadcast April 1, 2013.)
Born in Kandahar, Afghanistan, in 1984, photographer Farzana Wahidy was only a teenager when the Taliban took over the country in 1996. At age 13 she was beaten in the street for not wearing a burqa, she recalls, and she describes those years as a "very closed, very dark time." To carry a camera would have been unthinkable.
You might have noticed that it is April already and here at TELL ME MORE that means we are kicking off our annual tribute to National Poetry Month. For the third year in a row, we are starting our series we call Muses and Metaphor. We combine two of our passions, poetry and social media. We would like you to go on Twitter and tweet us your original poetry using fewer than 140 characters. Poet Holly Bass is going to help us once again pick out our favorites that we will air and she is with us now to tell us more.
Flannery O'Connor said short stories need to have a beginning, a middle and an end, though not necessarily in that order. But what about novels? Kate Atkinson seems to believe there can be a beginning, a middle and an end, and then another beginning, plus several more middles ... and why not have a beginning again?