1. The symbolism was a bit heavy-handed. It's frustrating that Mad Men creator Matthew Weiner doesn't trust viewers of the show enough to allow symbolism to live in an episode as suggestion and not insistence. The Mad Men audience is small and self-selecting; it is made up of people who choose to watch a show that requires attention and rewards patience.
D.L. Hughley is an actor-comedian, and currently a top 10 competitor on Dancing With The Stars. For Tell Me More's 'In Your Ear' series, he shares some favorite songs that he calls 'savory and sweet' — including an unlikely pick, a folk song that makes him think of his parents.
Tell Me More celebrates National Poetry Month with the 'Muses and Metaphor' series — where listeners submit their own poems via Twitter. Today's tweet comes from professional poker player, Joel Dias-Porter.
British filmmaker Sally Potter gained worldwide attention with her 1992 film Orlando. Like all of her movies, it was unconventional in its story and structure. Her new film, Ginger & Rosa, is more realistic and direct.
It's also got a high-profile cast that includes Annette Bening, Oliver Platt, Christina Hendricks and young Elle Fanning. They all play Britons during the fateful Cold War year of 1962, when the Cuban missile crisis had the world thinking the unthinkable: That a nuclear war was about to begin between the Soviet Union and the United States.
The Ah-Tah-Thi-Ki Seminole Indian Museum on the Big Cypress Seminole Reservation in Florida has a new exhibit that gives patrons a rare glimpse into the past.
Taken by photographer Julian Dimock during a 1910 expedition across the undrained and untamed landscape of tropical wetlands and cypress hammocks of southern Florida, the photos show everyday activities and portraits of the Seminole people he encountered.
Originally published on Mon April 8, 2013 12:15 pm
Rajesh Parameswaran is the author of I Am An Executioner: Love Stories.
Sara Suleri Goodyear's heartbreaking 1989 memoir of life in Pakistan, Meatless Days, circles backward and forward in time and space, from Lahore to Connecticut and around again. The author renounces plot in favor of an intimate, impressionistic survey of her family's tragic history.