The SETI Institute's Jill Tarter wants to accelerate our search for cosmic company. Using a growing array of radio telescopes, she and her team listen for patterns that may be a sign of intelligence elsewhere in the universe.
There's hardly an adult anywhere in the world who wouldn't recognize at least some of the music of Motown.
The R&B label changed the course of music in the United States and made household names of Diana Ross, Stevie Wonder and The Jackson 5. Now, the man who created Motown — Berry Gordy — is headed to Broadway to tell his version of how it all began.
When the stage lights go up at Chicago's Goodman Theatre on Monday evening, more than 20 high school students will each have a moment to step into the spotlight and perform a monologue from one of the plays written by the late August Wilson. Chicago's contest is one of several regional finals that strives to introduce students to the Pulitzer Prize winner's work. It's also a lead-up to the national August Wilson Monologue Competition that will be held on Broadway later this spring.
You'd think that in telling a story whose novelty is in its veracity, retaining some semblance of that truth might be important. But wrestling history into narrative has its challenges, and things can get hazy when it comes to the facts in a historical drama. So it seems like the next logical step in telling a story with a relationship to truth might be that if you're going to fudge things, at least make it entertaining. Please, pull an Argo.
Cookbook author Diane Morgan first got to thinking about root vegetables after two encounters at her local farmers market in Portland, Ore. She was burdened down with celery root, Morgan says, when a woman stopped her to ask what she was holding and what she planned to do with it.
"It's amazing," Morgan replied. "You can eat it raw, you can eat it cooked, you can turn it into a fabulous soup."
The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar. As in the Romanian writer-director's previous film, 4 Months, 3 Weeks and 2 Days, a young woman strides purposefully while a handheld camera follows mere inches behind. She's on a mission to help a close friend, her resolve demonstrated by the way she marches against two lines of travelers who've just disembarked from a train.
Arnel Pineda's journey from obscurity to international fame as the new frontman for the rock band Journey is the narrative thread that drives <em>Don't Stop Believin': Everyman's Journey.</em>
Credit Cinedigm Entertainment Group
Journey takes a pragmatic-old-pros approach to integrating its new lead singer; though <em>Don't Stop Believin' </em>emphasizes Pineda's rags-to-riches story, it's clear from the film that the band's main goal is the continuity of its business and brand.
Some bands are born of passion and deep camaraderie, a collective desire to rebel against authority — or at least to look cool. Others are born because a major label threatens to drop them if they don't find a lead vocalist.
This still from the alphabetically themed horror anthology <em>The ABCs Of Death</em> is the only one publishable on a website that caters to a broad audience — which says a lot about the tone and content of the 26 short films included.
Despite a reputation for unevenness, anthology films still hold a certain appeal. There's the opportunity to see a few shorts — a form that tends to get bulldozed by feature films due to the economic realities of the industry. There's also the chance to see a number of directors all in once place, trying out something different; it's the cinematic equivalent of a rock 'n' roll supergroup.