Top of the Lake, a new seven-part miniseries premiering tonight on the Sundance Channel, was co-created and co-directed by Jane Campion, who teamed with Holly Hunter 20 years ago on the movie The Piano. Hunter is back for this new project, playing a mysterious New Agey guru of sorts. She's started a small commune for emotionally damaged women, on a remote strip of land in New Zealand.
Emily Rapp is also the author of <em>Poster Child</em>, about a congenital birth defect that led to the amputation of her leg when she was a child, and about how she subsequently became a poster child for the March of Dimes.
In January 2011, writer Emily Rapp was a happy new mother when she and her husband found themselves in a pediatric ophthalmologist's office with their 9-month-old son, Ronan. They were worried about Ronan's development and had gone to the eye doctor to rule out vision problems as the culprit. Checking Ronan's retinas, the doctor saw "cherry-red spots on the backs of his retinas," Rapp writes in her new memoir, The Still Point of the Turning World. Ronan's diagnosis that day was Tay-Sachs disease, a genetic and degenerative condition that is always fatal. There is no cure.
Originally published on Mon March 18, 2013 1:14 pm
Ten years ago this week, U.S. troops invaded Iraq. NPR's David Gilkey was there and shares his memory of aphotograph he made that first night.
The photos that David Gilkey took the night of the Iraq invasion were among the first pictures of U.S. troops in combat to come out of Iraq. And among the images he captured was one of a soldier running through an abandoned Iraqi army post that had, just minutes before, been hit by U.S. rocket fire.
Those photos would not have been possible without a night vision optic for his camera.
Ted Danson, playing the role of bartender Sam Malone, keeps Rhea Perlman, playing waitress Carla Tortelli, under control as Shelley Long, portraying Diane Chambers, left, returns to the set of <em>Cheers</em> during taping of the final episode in 1993.
Rhythm and Blues musician Brian McKnight has sold more than 20 million albums worldwide. He's earned 16 Grammy nominations and worked on projects with Justin Timberlake and Mary J. Blige. He's also an actor, father and has an arts education foundation. Host Michel Martin talks to McKnight about his life and new album, More Than Words.
Sonic Trace is a multimedia project that follows Latinos living in Los Angeles travelling back to their families' native lands. Led by radio producer Anyansi Diaz-Cortes, it examines the link between what some Latinos consider home – before and after they or their families came to the U.S.
Johanna Day as Margie and Andrew Long as Mike in the recent Arena Stage production of David Lindsay-Abaire's <em>Good People</em>. The childhood friends drift apart as their lives take on very different socioeconomic dimensions.
Credit Margot Schulman / Arena Stage
Day and Francesca Choy-Kee as Kate. Day says her fiery character is "not book smart and didn't get to be educated, but she is smart."
How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."
As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.
Many of the 35 million Americans of Irish descent are here due to the worst famine to hit Europe in the 19th century, the Irish potato famine.
It drove more than a million people to flee mass starvation, many climbing aboard ships they hoped would ferry them to a better life in the New World. But the fate they would meet on what came to be known as "coffin ships" was often as grim or worse than the fate they were leaving behind; 100,000 passengers didn't survive the journey.