As the nation gears up for the second inauguration of President Obama, NPR Books dove into the archives to find some of our favorite interviews with biographers of the first family. Here, you'll find profiles of the president's mother and father, an exploration of Michelle Obama's ancestral roots, and a portrait of the president and first lady's relationship. You'll also find books written by the Obamas themselves.
Few films trying to capture a child's experience of an adult world manage to nail the details. In real life, kids aren't typically the precocious sorts espousing wisdom beyond their years — kids fidget, they ask questions, they get scared. They act like kids.
Originally published on Thu January 17, 2013 6:06 pm
He has repeated the catchphrase over and over again, though he really had to say it only once: No one ever doubted for a minute that Arnold Schwarzenegger wouldn't be back.
How you feel about the hit-or-miss neo-spaghetti-Western The Last Stand may depend on how much you really missed Schwarzenegger while he was taking time off from acting to serve two terms as governor of California.
When Lucas (Nikolaj Coster-Waldau) and Annabel (Jessica Chastain) welcome his orphaned nieces (Isabelle Nelisse, left, and Megan Charpentier) into their home, they also inadvertently welcome one particularly malevolent spirit.
Credit Universal Pictures
Lilly and Victoria provide a haunting presence at the heart of Mama, a horror film backed by executive producer Guillermo del Toro.
As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.
The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.
Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.
Writer Kevin Smokler spent a good majority of 2012 rereading the books he was assigned back in his high school English classes. He called up some of his former teachers and put together a list of books to revisit.
He looks back at his 15-year-old self and sees a "pretentious," somewhat "idiotic" teenager who was able to pass his classes, but who really missed the themes at the heart of most of the books.