Egyptian folk singer Dina El Wedidi performs at Qasr El Nil Theater during the Downtown Cairo Arts Festival. Wedidi says efforts to revitalize venues like the Qasr El Nil are important because there aren't enough places for musicians of the post-revolution explosion to perform.
Credit Mostafa Abdel Aty / Courtesy of Downtown Contemporary Arts Festival
"Cairo is a city that needs a lot of dusting," says Ahmed El Attar, director of the Downtown Cairo Arts Festival. Efforts are underway to try to restore the city's past cultural glory.
Credit Khaled Desouki / AFP/Getty Images
Emel Mathlouthi, known as the voice of Tunisia's revolution, performs at Qasr El Nil Theater. Her songs of freedom left the audience weeping.
Credit Mostafa Abdel Aty / Courtesy of Downton Contempary Arts Festival
Egypt's capital, Cairo, is now synonymous with protests and sometimes violence. Late at night, the once-bustling downtown streets are largely empty these days. People worry about getting mugged or caught up in a mob.
But the recent Downtown Contemporary Arts Festival is an attempt to revitalize the area with music, art and culture in the old and forgotten venues of downtown Cairo, like the Qasr El Nil Theater.
Tina Brown, editor of the Daily Beast and Newsweek, joins NPR's Steve Inskeep again for an occasional feature Morning Edition likes to call Word of Mouth. She talks about what she's been reading and gives us some recommendations.
This month, her reading suggestions have a common theme: luck. Not good luck, not bad luck, but the often-ambiguous element of chance.
A Small Village Wins Big
Brown's first selection is a Michael Paterniti article from GQ, which Brown calls "a fabulous piece of very offbeat reporting."
It really only hit yesterday: It's the end of The Office.
After nine seasons, Dunder Mifflin is going dark Thursday night, with an hour-long retrospective at 8:00 and a 75-minute episode at 9:00 that may or may not feature a cameo from Steve Carell. There have been denials of an appearance from him that could be read as emphatic or tiptoeing, depending on whether you focus on the obvious implications of those denials or the technicalities that might allow for wiggle room.
Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original StarTrek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.
Some novelists interest us because they turn the light of a style we enjoy on whatever subject they take up. Some novelists we enjoy because they have found a great subject and work it well and lovingly. John le Carre seems to belong to the latter group, having found his vein of fiction gold in the world of Cold War espionage.
Sarah Polley earned wide acclaim for directing the drama Away from Her, about a woman fading into the twilight of Alzheimer's, as well as for her acting performances in an array of films including The Sweet Hereafter and My Life Without Me. Her latest film, Stories We Tell,is a documentary, though — and a personal one at that.
First things first: Can we talk about hair? Nigerian writer Chimamanda Ngozi Adichie has written a big knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color; but, as Adichie has said in interviews, she also knows that black women's hair can speak volumes about racial politics.
This was the week of the broadcast network "upfront" presentations, which are the splashy ads for new programming that networks show to advertisers to entice them into ignoring their fears that everybody is fast-forwarding through all the commercials anyway.