Somewhere between Tim Robbins' angry assumption about his wife's pain pills and Pink's ecstatic-dance excursion with the guy from Book of Mormon, I realized that the dealing-with-addiction drama Thanks for Sharing really, really wanted to tell me everything it knows about life in recovery. As a critic, I've gotta acknowledge the problems that kind of crowding creates for a storyteller. As a person, I've gotta admire the generosity it bespeaks.
Originally published on Thu September 19, 2013 5:52 pm
Watch enough TV or movies these days, and you're likely to witness a throat getting slit. Not off-screen, or in a flash, but performed in full view of an unflinching camera. Call it authenticity, call it chutzpah or call it sadism, it takes only a few episodes of, say, Boardwalk Empire or Breaking Bad to realize that our visual storytellers are increasingly going for the gore.
Originally published on Thu September 19, 2013 5:40 pm
It was writer-director Nicole Holofcener's good fortune, and her bad luck, to have snagged James Gandolfini for Enough Said, her comedy about two imminent empty-nesters dipping their toes into fresh romantic waters. Given his untimely death,the film is likely to be remembered less for its own modest virtues than as a last chance to say a bittersweet farewell to its star.
Originally published on Sun September 22, 2013 8:27 am
Israeli director Eran Riklis often depicts characters separated by borders. In The Syrian Bride, a Druze woman leaves Israel to marry, knowing she can never return to visit her family; in Lemon Tree, a privileged Israeli woman and a disadvantaged Palestinian regard one another warily from opposite sides of the fence between free and occupied territory.
Zaytoun is different: This time, the director allows his characters to cross the frontier. That makes for a story that's sweeter, but also less convincing.
Originally published on Fri September 20, 2013 10:37 am
If anyone thought Denis Villeneuve's attacks on his favorite targets might be tempered by his move from the art house to Hollywood-thriller territory, Prisoners should shut that line of thinking down in a hurry.
In the quirky little college town of Yellow Springs, Ohio, home to many unconventional ideas over the years, there's now a small insect factory.
It's an unassuming operation, a generic boxy building in a small industrial park. It took me a while even to find a sign with the company's name: EnviroFlight. But its goal is grand: The people at EnviroFlight are hoping that their insects will help our planet grow more food while conserving land and water.
While NPR's Melissa Block is in Brazil, we'll be showcasing the work of several Brazilian writers. On Tuesday we heard Tatiana Salem Levy's love letter to Rio. Now we turn to 20-year-old Yasmin ThaynĂˇ, who discovered her love for writing as a teenager when she participated in a local program aimed at cultivating artistic talent in low-income communities.
In the mid-1970s, Arkansas' electric chair was being used by the prison barber to cut hair, and the execution chamber in New Hampshire was being used to store vegetables. That's because in 1972, the U.S. Supreme Court shocked the nation by striking down Georgia's death penalty law, effectively ending executions in the United States. But the decision provoked a strong backlash among those who favored the death penalty, and within four years the high court reversed course and issued a set of rulings that would permit the resumption of executions.
Sesame Street kicked off its new season this week, and it's putting a special focus on Hispanic heritage. There's also a new character on the block: Armando (also known as Mando). He's played by actor Ismael Cruz Cordova, who was born and raised in Puerto Rico. He earned a bachelor's in fine arts from New York University and has appeared in several films and the CBS drama The Good Wife. He's currently performing off-Broadway.