Laura Osnes appears in the title role of a new Broadway production of Rodgers and Hammerstein's Cinderella. Though her career began unconventionally, she's already had considerably conventional success.
Credit Carol Rosegg
The Cinderella revival includes the original music from the 1957 televised production, with a completely new, modern script. Osnes says she hopes to stay in the lead role for at least a year.
This weekend, a new adaptation of the Rodgers and Hammerstein television classic Cinderella opens on Broadway. It stars Laura Osnes, the ingenue of the moment. But Osnes' career path has had an unusual trajectory.
Six years ago, the then-21-year-old was newly wed and fresh out of Minnesota. She landed on Broadway in the lead role of Sandy in a revival of Grease. It's not surprising that that show, about teenagers, would cast unknowns in the leads, but how she and her co-star, Max Crumm, got there was unconventional, to say the least.
There's a new book about an American hero that's not just about the man behind the myth, but about the myth behind that myth.
Davy Crockett really was from Tennessee, really was a skilled frontiersman and really killed American Indians in battle. (When he became a congressman, however, he opposed President Andrew Jackson's Indian Removal Act.) And then, after losing a re-election campaign, Crockett really lit out for Texas and eventually died at the Battle of the Alamo — more or less
A Parisian Jew who dies in 1773 reappears in the 21st century as an angel, fluttering gently down to Earth — or, so he thinks. He imagines himself as "a fully formed Christian seraph, a Viking with blond hair, a beautiful chiseled torso, hairless feet, and eyes the color of whiskey." So imagine his shock when he realizes he's no angel — he's actually been reincarnated as a common housefly.
Jon Miller is a Hall of Fame broadcaster who did the play-by-play on ESPN Sunday Night Baseball for 20 years. He is a former radio and television announcer for the Baltimore Orioles and has been the voice of the San Francisco Giants since 1997.
Rachel Weisz plays the witch Evanora in director Sam Raimi's upcoming Oz: The Great and Powerful. The film is one of nine upcoming Oz adaptations and tackles more frightening and adult themes than those that came before it.
Credit Warner Bros. Pictures
The type of fantastical enemies in fairy tale remakes like Jack the Giant Slayer show the protagonists, and their problems, getting older and more complicated.
Credit David Appleby / Paramount Pictures
Jeremy Renner's Hansel (from January's Hansel and Gretel: Witch Hunters) was himself a grown-up fairy tale character gone rogue, using guns and firepower to take revenge on witches everywhere.
Adaptations of fairy tales are everywhere you look. The TV show Once Upon a Time and the police procedural Grimm are in their second seasons. Hansel and his sister Gretel are at the cineplex hunting witches with machine guns. Jack, of beanstalk fame, starts slaying giants today. And those aren't the only bedtime stories that have been redesigned to keep 20-somethings up at night.
Comedian Joshua Walters, who's bipolar, walks the line between mental illness and mental "skillness." He asks: What's the right balance between medicating craziness away, and riding the manic edge of creativity and drive?
"People need depth, and depth means the possibility of unhappiness and frustration and sometimes torment — though hopefully not madness." -- Oliver Sacks
We've all had that moment. The moment where you might see or hear something and you wonder: Am I going crazy? In this hour, TED speakers share their experiences straddling that line between madness and sanity — and question if we're all in the gray area between the two.