In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.
Host Kenn Michael speaks with Lafayette College's Director of the Williams Center for the Arts Ellis Finger.Â about the music of Sound Prints, a group comprised of saxophonist Joe Lovano and trumpet player Dave Douglas.Â The performance was on September 25, 2013.
On this week's Pop Culture Happy Hour, we start by breaking down last weekend's very somber Emmy ceremony, from the repeated death announcements to the perplexing dance routines to a couple of welcome victories that put a more positive spin on the whole thing. Did the host impress? What about poor Shemar Moore? And who will defend interpretive dance?
Originally published on Fri September 27, 2013 7:53 am
Harlem's Savoy Ballroom, early 1942. The Jay McShann Orchestra from Kansas City, Mo., has the stage, and Charlie "Bird" Parker picks up his alto saxophone:
"The rhythm section had him by the tail, but there was no holding or cornering Bird. Disappearing acts were his specialty. Just when you thought you had him, he'd move, coming up with another idea, one that was as bold as red paint on a white sheet."
Diane Ravitch, a former assistant secretary of education, spent years advocating for an overhaul of the American education system. She supported the No Child Left Behind Act, the charter school movement and standardized testing.
But Ravitch recently â€” and very publicly â€” changed her mind. She looked at the data and decided that the kinds of changes she'd supported weren't working. Now she's a prominent critic of things like charter schools and school choice â€” and she's particularly opposed to privatizing schools.
Originally published on Fri September 27, 2013 10:32 am
Most fans of '60s soul know of Muscle Shoals, the tiny Alabama town that produced huge hits. But only the genre's most studious followers will be able to watch Muscle Shoals without being regularly astonished: Even if it sometimes gets lost in its byways, Greg "Freddy" Camalier's documentary tells an extraordinary story.