Lillian Cahn, co-founder of Coach Leatherwear Co., died March 4 at the age of 89. Cahn was the force behind today's high-end leather handbags.
Back in the 1960s, she and her husband, Miles Cahn, were running a leather goods business in Manhattan. They produced men's wallets and billfolds but wanted to expand.
"My wife had a great sense of style, and she made the suggestions that we men maybe were a little thoughtless about," Miles Cahn says with a laugh. "Among her many suggestions was: 'Why don't we make pocketbooks?' I like to tell people I scoffed at the suggestion."
It's pilot season, that time of year when television networks create and test new shows with hopes of turning out the next big thing. But whatever new plots they come up with, it's safe to say that they will turn to the safety of a limited number of character archetypes: the lovable loser, the charming rogue, the desperate housewife.
In her new book, Frankenstein's Cat:Cuddling up to Biotech's Brave New Beasts, science journalist Emily Anthes talks about how the landscape of bioengineering has expanded since Dolly the Sheep was cloned in 1996. Scientists, she says, are now working to create pigs that can grow organs for human transplant, goats that produce valuable protein-rich milk, and cockroaches that could potentially serve as tiny scouts into danger zones for the military.
Originally published on Mon March 11, 2013 5:37 pm
Risa Hirai is a Japanese artist who paints detailed images of bonsai trees and Japanese meals. But instead of using paint on a canvas, she works with icing on a cookie.
The 23-year-old is a senior at Tama Art University in Tokyo whose mouthwatering works will be exhibited at Gallery Tokyo Humanite all this week. Assistant director Maie Tsukuda tells The Salt it's the gallery's first cookie exhibit and notes that it's not an ordinary medium for artists.
"Cutting Ribbon, Man In Wheelchair, Paintings (Version #2), 1988" shows John Baldessari's signature technique, faces covered with colorful circles. The practice had its genesis when the artist idly stuck a price sticker on the face of someone pictured in a newspaper clipping.
Credit Hedi Slimane / Courtesy the artist
In 1970, John Baldessari burned everything he had painted between 1953 and 1966. "I said ... 'I don't really need them.' So I decided I'll just destroy them." After that, Baldessari turned to photography and sculpture.
Credit Timothy A. Clary / AFP/Getty
"Pure Beauty," shown here at the Metropolitan Museum of Art in New York in 2010, is one of John Baldessari's many provocative "text paintings."
Of all the posters plastered around Facebook's Silicon Valley headquarters — "Move Fast and Break Things," "Done Is Better Than Perfect" and "Fail Harder" — Chief Operating Officer Sheryl Sandberg has a favorite: "What Would You Do If You Weren't Afraid?"
"[It's] something that I think is really important and I think very motivating," Sandberg tells NPR's Renee Montagne. " ... I wrote in my book, what I would do if I wasn't afraid is, I would speak out more on behalf of women."
The Last Five Years originally ran off-Broadway in 2002. Cited as one of Time magazine's "Ten Best of 2001," it won Drama Desk awards for Best Music and Best Lyrics.
There are only two characters in the musical, Jamie and Cathy. Jamie is a young novelist and Cathy is a struggling actress. Told in reverse chronological order, the drama shows what happens when an artistic couple's romance fizzles out.
I've read He Died With His Eyes Open twice. I don't know if I could stand to read it again. Like all of Derek Raymond's work, it has a remarkable and disturbing physicality.
This book was the first of what came to be known as the Factory series. Its protagonist is an unnamed detective in London's Metropolitan Police. He will never rise above sergeant and works in the most despised branch of "the Factory": Unexplained Deaths.