Psychologist Nancy Etcoff joins philosopher Denis Dutton to explain why beauty inspires and motivates us. Etcoff says our response to beauty is visceral, and we use strong words — like "bombshell" — when we talk about it.
A story, a work of art, a face, a designed object — how do we tell that something is beautiful? And why does it matter so much to us? Designer Richard Seymour explores our response to beauty and the surprising power of objects that exhibit it.
Cameron Russell admits she won "a genetic lottery": She's tall, pretty and an underwear model. But don't judge her by her looks. In this fearless talk, she takes a wry look at the industry that had her looking highly seductive at barely 16 years old.
Denis Dutton has a provocative theory on beauty — that art, music and other beautiful things, far from being simply "in the eye of the beholder," are a core part of human nature with deep evolutionary origins.
"Beauty draws us in. We can't stop looking or listening or touching. It takes us outside ourselves and it motivates us. It's essential to life and to happiness." — Nancy Etcoff
Beauty surrounds us, draws us in, gives joy and creates conflict. In this hour, TED speakers conjure up beauty both ancient and modern, and suggest reasons why humans are hardwired to crave and respond to beauty.
Originally published on Fri April 19, 2013 3:38 pm
Among the semi-literate journals submitted by his high-school students, jaded French literature teacher Germain (Fabrice Luchini) is jazzed to find a rough diamond from a new pupil, Claude (Ernst Umhauer).
In weekly installments, the ingratiating but enigmatic teenager, who looks as though he just stepped out of a Pasolini movie, chronicles his efforts to insinuate himself into the family of one his classmates, an amiable but awkward underachiever named Rapha (Bastien Ughetto).
The best documentaries about filmmaking are the ones that show it at its worst.
Movie sets are fundamentally boring places, where there's mostly a lot of waiting around going on. But when disaster strikes with millions of dollars on the line, the tension and drama are suddenly amped up to levels that often equal those in the movie being filmed.
The enigmatic Julia (Olga Kurylenko) surfaces from the mysterious past of Victoria's husband, Jack (Tom Cruise), a repairman tending drones on a largely abandoned Earth.
Credit Universal Pictures
The sterile, futuristic gloss of the post-apocalyptic living spaces in Oblivion are a perfect setting for Andrea Riseborough's icy Victoria — whose humanity, showing occasionally through the odd crack in her reserve, informs some of the film's strongest moments.
The score for Oblivion was composed by M83, a superb French electronic outfit that derives its name from one of the spectral pinwheels known as spiral galaxies. I point this out because it's the best element of the movie — a cascade of dreamy synthesizers that registers as appropriately futuristic (at least the future as suggested by '80s pop) while allowing an undercurrent of romantic yearning.