At the center of David Gilbert's new novel & Sons is a famous and famously reclusive writer in the J.D. Salinger model. It's a book about the writer as author of books, and as the father of sons — sons who don't feel nearly as warmly toward him as readers do. When & Sons begins, the writer, Andrew Newbold Dyer — or A.N. Dyer as he's known to his readers — is nearing 80.
Pioneering musician Carline Ray died July 18 at age 88. In the 1940s, when it was difficult for women to be accepted as jazz musicians, Ray found a home in the all-female band The International Sweethearts of Rhythm as the guitarist and a featured vocalist. She was also a bass player who performed with Sy Oliver, Mercer Ellington and Mary Lou Williams.
Ray was born in Harlem in 1925 during the Harlem Renaissance. She graduated from Juilliard and the Manhattan School of Music. Her husband, Luis Russell, led his own band and worked as Louis Armstrong's music director.
It's no secret that the middle school experience can be not so fabulous, and that's particularly true for the teen at the center of Dork Diaries: Tales From a Not-So-Fabulous Life. The book, the first in the Dork Diaries series by Rachel Renee Russell, is the July pick for NPR's Backseat Book Club.
Originally published on Tue July 23, 2013 12:54 pm
When someone uses the term "instant classic," I typically want to grab him and ask, "So this is, what, like the new Great Expectations? You sure about that?" But David Gilbert's novel & Sons, seductive and ripe with both comedy and heartbreak, made me reconsider my stance on such a label. & Sons feels deeply familiar, as though it existed for decades and I was just slow to find it. Revolving around a New York writer of J. D.
Host Kenn Michael speaks with Alison Bessesdotter about her exhibit "Flow" at The Nurture Nature Center, 518 Northampton St., Easton, showing through October 1st 2013. "Flow" The flow of water, of life: the constant movement of all things organic. The drip, the run; erosion. These ideas are to be accentuated and enhanced by the artist's stylistic transition from watercolor to acrylic paint throughout the course of the exhibition.
I'm Michel Martin and this is TELL ME MORE from NPR News. You know how in America we say we don't like dynasties, but then again, we actually kind of do. And we're certainly fascinated by them, and if you follow sports, in particular football, then you're probably fascinated by the Gronkowskis.