What do a forlorn Italian father, a costume-drama cad and a pair of Hollywood slapstick heroes have in common? They're all high on a list of must-see movies that David Chase, creator of The Sopranos and director of the 2012 film Not Fade Away, brought us for the occasional Morning Edition series "Watch This."
What unifies them?
Saps At Sea
"When I was a kid, I used to watch Laurel and Hardy with my cousins all the time," Chase says. "I still think they're extremely funny and so surreal."
In Ramin Bahrani's At Any Price, Zac Efron stars as a teen rebelling against his family and dreaming of becoming a professional race car driver. Sound like a generic summer pic? Critic David Edelstein says the film has "a hell of a sting in its tail."
Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.
Mary Ann Shilts takes one of the give away comic books from the display rack at the New Dimensions Comics store in Cranberry, Pa., Butler County, as part of Free Comic Book Day 2012. Free Comic Book Day 2013 is Saturday, May 4.
This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.
In the early days of New Girl, Jess Day (Zooey Deschanel) was a toddler-sized tutu made flesh: cute, affected, hard to actually dislike, but earning grins largely by doggedly evoking childhood's clumsy and doomed attempts at grace.
Back in the early 1950s, as a lonely, pregnant young wife already ruing her rash elopement, Edna O'Brien sobbed through the ending of Flaubert's Madame Bovary and wondered, "Why could life not be lived at that same pitch? Why was it only in books that I could find the utter outlet for my emotions?"