He's got a round, affable face and large, black, hipster glasses. He's smartly dressed in a blazer and button-up shirt. He looks straight into the camera, talking, singing, smoking and drinking — just him, for upward of 90 minutes.
"It only hurts when you think of it," he says, his normally jaunty voice wobbling on the edge of a break. "And if you're real, you think of it a long, long time, that's for sure. Those are the dues."
One of Amy Schumer's comedy routines begins with the declaration, "I'm a little sluttier than the average bear. I really am."
Degrees of sluttiness may be hard to define, but Schumer does talk frankly about many subjects — including sex — that can be uncomfortable for people, both in her stand-up act and on her Comedy Central series, Inside Amy Schumer, which was recently renewed for a second season.
We live in a world filled with crimes, but most of them don't have much to tell us. They're cases of mere stupidity, cruelty or greed. But every now and then one comes along that invites larger thoughts about the culture.
Muhlenberg Summer Music Theatre is celebrating its 33rd Season, and Chair of the Muhlenberg Theatre Department, James Peck, joins hosts George Miller and Kate Scuffle to talk about this summer's musical offerings.
Perhaps it's the combination of Sunday night's Mad Men finale and the flurry of Sopranos discussion that followed the death of James Gandolfini, but it's hard not to be struck by the explosion of writing about television that's occurred in the last 15 years or so, facilitated (of course) by the ability to go from rolling credits to publication in an hour (if necessary). After any major episode, there will be a flurry of commentary, and even after minor episodes of minor shows, there are write-ups here and there.
Israeli graphic novelist Rutu Modan's deceptively clear and simple line work — she can conjure a face in two dots and a single, expressive pen stroke — is a deliberate artistic choice. Narratively, Modan's work (including the acclaimed Exit Wounds andher Jamilti and Other Stories) lives in the realm of the indistinct, the undefined and the hotly disputed. In her books, conflicts between family members, lovers and nations all occur in the context of Jewish cultural history.
An elaborate cake exactingly modeled from the work of a Dutch minimalist painter. A piece of literary criticism as interesting and expansive as its subject. A photograph of an eerie, antlered hat sculpted from feathers and tulle. Art criticism, written with a novelist's eye. Here are five books that traverse genre and medium, while keeping the same aim: to analyze, celebrate and re-imagine beautiful works of art.
At a San Jose, Calif. library, a young reader browses a shelf of books featuring a variety of main characters: ducks, hens, white kids, black kids. Libraries help drive demand for children's books with nonwhite characters, but book publishers say there aren't enough libraries to make those books best-sellers.
Credit Courtesy Lerner Publishing
Bad News For Outlaws tells the true story of Bass Reeves, an African-American U.S. marshal in the Old West — shown here disguised as a farmer. The book won a Coretta Scott King award and became one of Lerner Books' best-selling titles.
About 25 years ago, Ahmir "Questlove" Thompson and Tariq "Black Thought" Trotter were students in a Philadelphia high school and they wanted to impress a girl. So they formed a band ... which would go on to become the Grammy Award-winning hip-hop band The Roots. Questlove, the drummer for The Roots, says that for him, a musical future was preordained. As he recounts in a new memoir, Mo' Meta Blues, his father, Lee Andrews — a member of the successful 1950s doo-wop group Lee Andrews and the Hearts — groomed Questlove for show business from an early age.