For those who came of age in the 90s, or went to high school in the 80s, Freaks and Geeks is a cultural touchstone. Not only because it so perfectly captured the pains and joys of adolescence, but also because its young cast would go on to do amazing things. We quiz the show's creator, Paul Feig, about what everyone in the cast has been up to since their roles in Freaks and Geeks.
Plus, house musician Jonathan Coulton gives Joan Jett's "Bad Reputation" (also the Freaks and Geeks theme song) his own nerd-rock treatment.
We live in an informal society — no one's introduced as Mr. Coulton or Ms. Eisenberg anymore. In this game, host Ophira Eisenberg talks about celebrities on a first name basis, and asks contestants to give her the full name of a famous person by combining the first names of two other famous people.
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Traces of Blue isn't quite a household name just yet, but if you're familiar with NBC's The Sing-Off, you might remember them by their old name, Afro-Blue, the a cappella jazz group hailing from Howard University in Washington, D.C.
They recently took a break from working on their debut EP to stop by NPR's D.C. studios for a special performance.
As I was heading home the other day, I was thinking about a situation I encountered a while ago when I landed back in the Washington, D.C., area after a trip.
I was hungry and saw that one of my favorite lunch spots had opened an outpost at the airport. So I ducked in there and was just about to order when I realized that a young woman standing next to me was having some sort of confrontation. It was loud, and getting louder.
I'm Michel Martin and this is TELL ME MORE from NPR News. Later in the program, my regular "Can I Just Tell You?" essay, and a mid-week treat for you. The a capella singing group Traces of Blue will be here. That is coming up. But first, we take a visit to the "Beauty Shop." That's where our roundtable of women writers, journalists and commentators talk about what's in the news and what's on their minds.
Ted is a theoretical physicist facing a slew of resolutely concrete problems. His son is racing headlong into puberty. His daughter's prodigious intellect causes her to stand out at school — the very last thing the girl wants. His elderly father-in-law isn't remembering much, these days, save for the fact that he hates Ted's guts. His wife is sick and getting sicker, just as his employer, a prominent think tank, threatens to fire him for lack of productivity. To keep his job, and its health care coverage, Ted needs an idea.
Sixties pop artist Tom Wesselmann liked women, and saluted them on his canvases — or, sometimes, just parts of them: perfect glossy red mouths with lips parted to reveal pink tongues; nipples, even on the oranges he paints. These are just a few of the images that might make you blush in a Wesselmann retrospective now on view at the Virginia Museum of Fine Arts in Richmond.
"I don't think you could ask for a more literal interpretation of the objectification of parts of the female body," says curator Sarah Eckhardt.
Not only does such a thing exist, but after Barbie, it's the best-selling doll in the world. The dolls of Monster High are bone-thin beauties all related to famous monsters. They come with books and Web episodes that follow their stories in that place where everyone feels like a freak — in high school.
I'm a mad scientist in the kitchen. My inventions for new culinary techniques that will revolutionize the way we eat usually happen in the middle of the night during a bout of insomnia. I stumble downstairs the next morning in a sleep-deprived daze, and a quick Internet search reveals that I'm far from the first person to have invented the cookery method, and hundreds of recipes already exist.