The long wait for Muppets fans is over: ABC is bringing back the beloved puppets in a prime-time TV series this fall for the first time in nearly 20 years.
News of the new show, called The Muppets, dropped this week as TV networks begin calling producers, stars and studio executives in advance of next week's "upfronts" — the annual ritual where broadcasters roll out their fall schedules for advertisers to score advance sales.
The opening credits of the new Netflix comedy (maybe comedy-drama) Grace And Frankie lay out the show's high concept using the song "Stuck In The Middle With You" and a set of wedding cake toppers. You see two couples, then two couples with kids, then the husbands kissing, then the abandoned women falling through the broken cake.
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DAVID BIANCULLI, HOST:
We're remembering British mystery writer Ruth Rendell, who died last Saturday in London at the age of 85. Rendell was interviewed twice by Terry Gross, first in 1989. Terry asked her to describe her best-known character, Reg Wexford.
When the news of Ruth Rendell's death broke last weekend, I searched for some of her novels on my mystery bookshelves. Rendell, 85, wrote more than 60 novels, so I should've been able to find a few, but no dice. I'm forever giving Rendell's novels away to people who need a good book.
Ellen McLain had a long career as an opera singer. But now her voice is most famous for something entirely different: video games. McLain is the voice of GLaDOS, the passive-aggressive computer in the games Portal and Portal 2.
On a recent evening in San Francisco, five guests gather at the home of Eric Weinstein and his wife, Pia Malaney, for a tasty dinner of seared salmon and a deep discussion of a topic that many people might find unpalatable: death.
"Inappropriate," today's foremost throat-clearing adjective, is the appropriate response to The D Train. This squirm-till-you-snicker comedy is about two immature males confronted with sexual possibilities they can't handle. One of the guys is 14; the other is his father.
Early on in Bertrand Bonello's extravagantly imagined portrait of designer Yves Saint Laurent, strict orders come down from the Great One to the stressed-out sewing room, or whatever they call it in that etherized milieu. The tone is hushed but the message is clear: the stitching's all wrong; it must be put right; it must be put right now. In every other respect, Bonello's film has nothing — believe me, nothing — in common with The Devil Wears Prada.
No parent should have to watch his child grow up to be a flesh-eating zombie. But if any dad ever had the stuff for the task, it's Arnold Schwarzenegger. In Maggie, the action-movie heavyweight and former governor of California plays Wade, a plaid-shirted farmer from Middle America facing a viral plague that's infected his teenage daughter along with a good chunk of the country's population.