Iranian Foreign Minister Mohammad Javad Zarif (second from left) shakes hands with U.S. Secretary of State John Kerry next to Chinese Foreign Minister Wang Yi (far left) and French Foreign Minister Laurent Fabius (far right) after a statement on early November 24, 2013 in Geneva.
Sometime after 3 a.m. on Sunday, international negotiators emerged from a conference room in a Geneva hotel, bearing with them weary smiles and a historic agreement. U.S. Secretary of State John Kerry, Iran Foreign Minister Mohammad Javad Zarif and representatives from five other world powers had come together on a deal to freeze the Iranian nuclear program temporarily.
The Board of Governors of the Lehigh Valley Community Foundation have awarded WDIY a discretionary grant of $2,500 for Lehigh Valley Arts Salon. The grant will help in the production, studio and engineering cost associated with the program.
"We were thrilled to receive word of the grant," comments Rebecca Walz, Director of Development and PR for the station. "These funds will go a long way in helping us continue to produce Lehigh Valley Arts Salon on a weekly basis, highlighting dozens of cultural organizations across the Lehigh Valley every year."
After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in <em>Oldboy,</em> a Spike Lee remake of the 2003 South Korean film.
Credit Hilary Bronwyn Gayle / FilmDistrict
Elizabeth Olsen, who shot to indie-film stardom in <em>Martha Marcy May Marlene</em>, plays a woman who tries to help the damaged, violent protagonist — and finds herself becoming increasingly involved.
Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire — and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.
And as it happens, he can — a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.
Originally published on Fri November 29, 2013 3:17 pm
It worried me when my daughter didn't like Star Wars. Even though I told her there was a princess in it, she was wholly unimpressed and, from the start, a little bit creeped out by Darth Vader and all the stormtroopers. Granted, she was only 6 when I first tried to bring her into the fold of my obsession, but that was twice as old as I'd been when I'd first fallen hard for the original trilogy. It was ... disconcerting.
Originally published on Fri November 29, 2013 7:10 pm
Some movies try to underscore their authenticity by flashing dates, names and locations on the screen. Mandela: Long Walk to Freedom offers some dates and locations, but not much in the way of names. The result is a history of national transformation in which only two people really seem to matter.
Originally published on Thu November 28, 2013 6:29 pm
To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.
To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.
Jacob Latimore (from left), Angela Bassett, Jennifer Hudson and Forest Whitaker power through the season in Kasi Lemmons' <em>Black Nativity,</em> a Christmas movie musical based on Langston Hughes' gospel oratorio.
Credit Phil Bray / Fox Searchlight Pictures
The movie adds a framing device to Hughes' story --one in which Naima (Hudson) sends her son (Latimore) to live with his grandparents after she falls on hard times.
Originally published on Fri November 29, 2013 8:55 pm
Like Eve's Bayou, her best-known movie, Kasi Lemmons' Black Nativity presents a child's view of a troubled family. The latter film is sweeter and slenderer, but that's only to be expected: Black Nativity is a musical, after all, as well as a credible attempt at an African-American holiday perennial.
The original Black Nativity is a gospel-music oratorio, conceived by poet Langston Hughes and first performed in 1961. It pairs the Christian Nativity story with traditional spirituals and African drumming.
In an annual tradition, writer Bailey White spins a fictional tale of love and life. This year's entry is about a woman dying of cancer who is attended to by a series of old boyfriends, each of whom contributes some sort of minor service. The story ends with a symbolic event at an old hollow tree in the woods, where a coiled snake meets a violent end.
Originally published on Mon December 2, 2013 1:05 pm
The deadline is looming for "wrimos" — writers challenged to clock in a 50,000 word novel by November 30th.
"We're the largest writing event in the world," says Grant Faulkner, executive director of the Berkeley-based non-profit NaNoWriMo — short for National Novel Writing Month. "People's to-do list revolves around food and shelter, but I would say that creativity is a necessity of life, so we need to do what we can to nurture more creators in the world."
Let's face it, while Thanksgiving get-togethers can be joyful, they can also be stressful. And if you're gearing up for a family gathering right now, you're likely awaiting the arrival of a few loved ones who may be a little hard to love sometimes.
Knowing that, we've called on Amy Dickinson, who writes the syndicated column "Ask Amy," for some advice on how to get through the holiday. Hey there, Amy.