Arts

Arts and culture

Editor's note: This week, to mark the 400th anniversary of William Shakespeare's death, we will be running a series of stories examining the links between food and the Bard.

"Life ... consists of eating and drinking," quips Twelfth Night's over-indulging Sir Andrew Aguecheek. It seems that Shakespeare's audiences felt the same.

Between 1988 and 1990, when archaeologists excavated The Rose and The Globe theaters (where Shakespeare's plays were performed), they were able to learn as much about the audiences as the playhouses themselves.

Journalist Michael Kinsley — the founder of Slate and former editor of Harper's and The New Republic — says he's a "scout for his generation." Kinsley was diagnosed with Parkinson's Disease when he was in his 40s. Now in his 60s, he writes that he had the opportunity to experience old age before the rest of his fellow baby boomers.

By 1970, some people worried that the United States had gone seriously off track. Two great American leaders were sure of it, and so a summit was arranged. Problem is, Elvis Presley and Richard Nixon didn't really agree on what needed to be done — or even what the problem was.

In Lorene Scafaria's The Meddler, Susan Sarandon plays Marnie Minervini, a recent widow who moves from the East Coast to Los Angeles to "be near" (read, boss around) her daughter Lori (a very good, if underused Rose Byrne), a depressed screenwriter who's just broken up with her boyfriend. We meet Marnie lying in bed gazing up at the ceiling, and that's more or less the last wordless time we spend with her.

A Snow White tale without Snow White is like an apple without its core. Yet here we are, four years after the minor financial success of the Kristen Stewart-led Snow White and the Huntsman, gazing into the mirror without the dark-haired beauty. The first film had somewhat grand ambitions in trying to reclaim Disneyfied fairy tales for older Grimm fans.

As someone with autism spectrum disorder, John Elder Robison knows what it's like to feel emotionally removed from situations. Robison tells Fresh Air's Terry Gross that throughout his life people have told him, "There's this emotional language you're missing. There are stories in people's eyes. There are messages."

Robison didn't fully understand what they meant until he received transcranial magnetic stimulation, a noninvasive procedure in which areas of the brain are stimulated with electromagnetic fields to alter its circuitry.

This, That, Or The Other

12 hours ago

In honor of Hamilton, an American hip-hop musical, this episode's categories are: the real names of famous rappers; delegates to the first 1774 Continental Congress; OR 1980s fictional teen villains. Can you tell the difference?

Heard on Leslie Odom Jr.: Aaron Burr, Sir

Celebrity Cross-Breeds

12 hours ago

In this game we imagine what would happen if two famous people became close friends...and did that thing that all close friends do: combine their names. We're looking at you, Paul Ryan Gosling.

Heard on Leslie Odom Jr.: Aaron Burr, Sir

Leslie Odom Jr.: Aaron Burr, Sir

12 hours ago

Every night, Leslie Odom Jr. kills Lin-Manuel Miranda. To be precise, Odom plays Aaron Burr opposite Miranda's Alexander Hamilton in the Broadway musical Hamilton. The Pulitzer Prize-winning musical has become a phenomenon by using hip-hop and a racially diverse cast of black and Hispanic actors to tell the story of the early Republic. And night after night, Odom laments the infamous duel between Burr and Hamilton. "I really do feel bad about killing him every night, I really do," he tells Ask Me Another host Ophira Eisenberg at The Bell House in Brooklyn, NY.

Leslie Odom Jr.: Shake It Up

12 hours ago

With the help of Leslie Odom Jr., Jonathan retools Taylor Swift's "Shake It Off," to be about THINGS THAT YOU CAN SHAKE. Such as, your groove thing.

Heard on Leslie Odom Jr.: Aaron Burr, Sir

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